| vwsnd - Sound driver for the Silicon Graphics 320 and 540 Visual |
| Workstations' onboard audio. |
| |
| Copyright 1999 Silicon Graphics, Inc. All rights reserved. |
| |
| |
| At the time of this writing, March 1999, there are two models of |
| Visual Workstation, the 320 and the 540. This document only describes |
| those models. Future Visual Workstation models may have different |
| sound capabilities, and this driver will probably not work on those |
| boxes. |
| |
| The Visual Workstation has an Analog Devices AD1843 "SoundComm" audio |
| codec chip. The AD1843 is accessed through the Cobalt I/O ASIC, also |
| known as Lithium. This driver programs both both chips. |
| |
| ============================================================================== |
| QUICK CONFIGURATION |
| |
| # insmod soundcore |
| # insmod vwsnd |
| |
| ============================================================================== |
| I/O CONNECTIONS |
| |
| On the Visual Workstation, only three of the AD1843 inputs are hooked |
| up. The analog line in jacks are connected to the AD1843's AUX1 |
| input. The CD audio lines are connected to the AD1843's AUX2 input. |
| The microphone jack is connected to the AD1843's MIC input. The mic |
| jack is mono, but the signal is delivered to both the left and right |
| MIC inputs. You can record in stereo from the mic input, but you will |
| get the same signal on both channels (within the limits of A/D |
| accuracy). Full scale on the Line input is +/- 2.0 V. Full scale on |
| the MIC input is 20 dB less, or +/- 0.2 V. |
| |
| The AD1843's LOUT1 outputs are connected to the Line Out jacks. The |
| AD1843's HPOUT outputs are connected to the speaker/headphone jack. |
| LOUT2 is not connected. Line out's maximum level is +/- 2.0 V peak to |
| peak. The speaker/headphone out's maximum is +/- 4.0 V peak to peak. |
| |
| The AD1843's PCM input channel and one of its output channels (DAC1) |
| are connected to Lithium. The other output channel (DAC2) is not |
| connected. |
| |
| ============================================================================== |
| CAPABILITIES |
| |
| The AD1843 has PCM input and output (Pulse Code Modulation, also known |
| as wavetable). PCM input and output can be mono or stereo in any of |
| four formats. The formats are 16 bit signed and 8 bit unsigned, |
| u-Law, and A-Law format. Any sample rate from 4 KHz to 49 KHz is |
| available, in 1 Hz increments. |
| |
| The AD1843 includes an analog mixer that can mix all three input |
| signals (line, mic and CD) into the analog outputs. The mixer has a |
| separate gain control and mute switch for each input. |
| |
| There are two outputs, line out and speaker/headphone out. They |
| always produce the same signal, and the speaker always has 3 dB more |
| gain than the line out. The speaker/headphone output can be muted, |
| but this driver does not export that function. |
| |
| The hardware can sync audio to the video clock, but this driver does |
| not have a way to specify syncing to video. |
| |
| ============================================================================== |
| PROGRAMMING |
| |
| This section explains the API supported by the driver. Also see the |
| Open Sound Programming Guide at http://www.opensound.com/pguide/ . |
| This section assumes familiarity with that document. |
| |
| The driver has two interfaces, an I/O interface and a mixer interface. |
| There is no MIDI or sequencer capability. |
| |
| ============================================================================== |
| PROGRAMMING PCM I/O |
| |
| The I/O interface is usually accessed as /dev/audio or /dev/dsp. |
| Using the standard Open Sound System (OSS) ioctl calls, the sample |
| rate, number of channels, and sample format may be set within the |
| limitations described above. The driver supports triggering. It also |
| supports getting the input and output pointers with one-sample |
| accuracy. |
| |
| The SNDCTL_DSP_GETCAP ioctl returns these capabilities. |
| |
| DSP_CAP_DUPLEX - driver supports full duplex. |
| |
| DSP_CAP_TRIGGER - driver supports triggering. |
| |
| DSP_CAP_REALTIME - values returned by SNDCTL_DSP_GETIPTR |
| and SNDCTL_DSP_GETOPTR are accurate to a few samples. |
| |
| Memory mapping (mmap) is not implemented. |
| |
| The driver permits subdivided fragment sizes from 64 to 4096 bytes. |
| The number of fragments can be anything from 3 fragments to however |
| many fragments fit into 124 kilobytes. It is up to the user to |
| determine how few/small fragments can be used without introducing |
| glitches with a given workload. Linux is not realtime, so we can't |
| promise anything. (sigh...) |
| |
| When this driver is switched into or out of mu-Law or A-Law mode on |
| output, it may produce an audible click. This is unavoidable. To |
| prevent clicking, use signed 16-bit mode instead, and convert from |
| mu-Law or A-Law format in software. |
| |
| ============================================================================== |
| PROGRAMMING THE MIXER INTERFACE |
| |
| The mixer interface is usually accessed as /dev/mixer. It is accessed |
| through ioctls. The mixer allows the application to control gain or |
| mute several audio signal paths, and also allows selection of the |
| recording source. |
| |
| Each of the constants described here can be read using the |
| MIXER_READ(SOUND_MIXER_xxx) ioctl. Those that are not read-only can |
| also be written using the MIXER_WRITE(SOUND_MIXER_xxx) ioctl. In most |
| cases, <sys/soundcard.h> defines constants SOUND_MIXER_READ_xxx and |
| SOUND_MIXER_WRITE_xxx which work just as well. |
| |
| SOUND_MIXER_CAPS Read-only |
| |
| This is a mask of optional driver capabilities that are implemented. |
| This driver's only capability is SOUND_CAP_EXCL_INPUT, which means |
| that only one recording source can be active at a time. |
| |
| SOUND_MIXER_DEVMASK Read-only |
| |
| This is a mask of the sound channels. This driver's channels are PCM, |
| LINE, MIC, CD, and RECLEV. |
| |
| SOUND_MIXER_STEREODEVS Read-only |
| |
| This is a mask of which sound channels are capable of stereo. All |
| channels are capable of stereo. (But see caveat on MIC input in I/O |
| CONNECTIONS section above). |
| |
| SOUND_MIXER_OUTMASK Read-only |
| |
| This is a mask of channels that route inputs through to outputs. |
| Those are LINE, MIC, and CD. |
| |
| SOUND_MIXER_RECMASK Read-only |
| |
| This is a mask of channels that can be recording sources. Those are |
| PCM, LINE, MIC, CD. |
| |
| SOUND_MIXER_PCM Default: 0x5757 (0 dB) |
| |
| This is the gain control for PCM output. The left and right channel |
| gain are controlled independently. This gain control has 64 levels, |
| which range from -82.5 dB to +12.0 dB in 1.5 dB steps. Those 64 |
| levels are mapped onto 100 levels at the ioctl, see below. |
| |
| SOUND_MIXER_LINE Default: 0x4a4a (0 dB) |
| |
| This is the gain control for mixing the Line In source into the |
| outputs. The left and right channel gain are controlled |
| independently. This gain control has 32 levels, which range from |
| -34.5 dB to +12.0 dB in 1.5 dB steps. Those 32 levels are mapped onto |
| 100 levels at the ioctl, see below. |
| |
| SOUND_MIXER_MIC Default: 0x4a4a (0 dB) |
| |
| This is the gain control for mixing the MIC source into the outputs. |
| The left and right channel gain are controlled independently. This |
| gain control has 32 levels, which range from -34.5 dB to +12.0 dB in |
| 1.5 dB steps. Those 32 levels are mapped onto 100 levels at the |
| ioctl, see below. |
| |
| SOUND_MIXER_CD Default: 0x4a4a (0 dB) |
| |
| This is the gain control for mixing the CD audio source into the |
| outputs. The left and right channel gain are controlled |
| independently. This gain control has 32 levels, which range from |
| -34.5 dB to +12.0 dB in 1.5 dB steps. Those 32 levels are mapped onto |
| 100 levels at the ioctl, see below. |
| |
| SOUND_MIXER_RECLEV Default: 0 (0 dB) |
| |
| This is the gain control for PCM input (RECording LEVel). The left |
| and right channel gain are controlled independently. This gain |
| control has 16 levels, which range from 0 dB to +22.5 dB in 1.5 dB |
| steps. Those 16 levels are mapped onto 100 levels at the ioctl, see |
| below. |
| |
| SOUND_MIXER_RECSRC Default: SOUND_MASK_LINE |
| |
| This is a mask of currently selected PCM input sources (RECording |
| SouRCes). Because the AD1843 can only have a single recording source |
| at a time, only one bit at a time can be set in this mask. The |
| allowable values are SOUND_MASK_PCM, SOUND_MASK_LINE, SOUND_MASK_MIC, |
| or SOUND_MASK_CD. Selecting SOUND_MASK_PCM sets up internal |
| resampling which is useful for loopback testing and for hardware |
| sample rate conversion. But software sample rate conversion is |
| probably faster, so I don't know how useful that is. |
| |
| SOUND_MIXER_OUTSRC DEFAULT: SOUND_MASK_LINE|SOUND_MASK_MIC|SOUND_MASK_CD |
| |
| This is a mask of sources that are currently passed through to the |
| outputs. Those sources whose bits are not set are muted. |
| |
| ============================================================================== |
| GAIN CONTROL |
| |
| There are five gain controls listed above. Each has 16, 32, or 64 |
| steps. Each control has 1.5 dB of gain per step. Each control is |
| stereo. |
| |
| The OSS defines the argument to a channel gain ioctl as having two |
| components, left and right, each of which ranges from 0 to 100. The |
| two components are packed into the same word, with the left side gain |
| in the least significant byte, and the right side gain in the second |
| least significant byte. In C, we would say this. |
| |
| #include <assert.h> |
| |
| ... |
| |
| assert(leftgain >= 0 && leftgain <= 100); |
| assert(rightgain >= 0 && rightgain <= 100); |
| arg = leftgain | rightgain << 8; |
| |
| So each OSS gain control has 101 steps. But the hardware has 16, 32, |
| or 64 steps. The hardware steps are spread across the 101 OSS steps |
| nearly evenly. The conversion formulas are like this, given N equals |
| 16, 32, or 64. |
| |
| int round = N/2 - 1; |
| OSS_gain_steps = (hw_gain_steps * 100 + round) / (N - 1); |
| hw_gain_steps = (OSS_gain_steps * (N - 1) + round) / 100; |
| |
| Here is a snippet of C code that will return the left and right gain |
| of any channel in dB. Pass it one of the predefined gain_desc_t |
| structures to access any of the five channels' gains. |
| |
| typedef struct gain_desc { |
| float min_gain; |
| float gain_step; |
| int nbits; |
| int chan; |
| } gain_desc_t; |
| |
| const gain_desc_t gain_pcm = { -82.5, 1.5, 6, SOUND_MIXER_PCM }; |
| const gain_desc_t gain_line = { -34.5, 1.5, 5, SOUND_MIXER_LINE }; |
| const gain_desc_t gain_mic = { -34.5, 1.5, 5, SOUND_MIXER_MIC }; |
| const gain_desc_t gain_cd = { -34.5, 1.5, 5, SOUND_MIXER_CD }; |
| const gain_desc_t gain_reclev = { 0.0, 1.5, 4, SOUND_MIXER_RECLEV }; |
| |
| int get_gain_dB(int fd, const gain_desc_t *gp, |
| float *left, float *right) |
| { |
| int word; |
| int lg, rg; |
| int mask = (1 << gp->nbits) - 1; |
| |
| if (ioctl(fd, MIXER_READ(gp->chan), &word) != 0) |
| return -1; /* fail */ |
| lg = word & 0xFF; |
| rg = word >> 8 & 0xFF; |
| lg = (lg * mask + mask / 2) / 100; |
| rg = (rg * mask + mask / 2) / 100; |
| *left = gp->min_gain + gp->gain_step * lg; |
| *right = gp->min_gain + gp->gain_step * rg; |
| return 0; |
| } |
| |
| And here is the corresponding routine to set a channel's gain in dB. |
| |
| int set_gain_dB(int fd, const gain_desc_t *gp, float left, float right) |
| { |
| float max_gain = |
| gp->min_gain + (1 << gp->nbits) * gp->gain_step; |
| float round = gp->gain_step / 2; |
| int mask = (1 << gp->nbits) - 1; |
| int word; |
| int lg, rg; |
| |
| if (left < gp->min_gain || right < gp->min_gain) |
| return EINVAL; |
| lg = (left - gp->min_gain + round) / gp->gain_step; |
| rg = (right - gp->min_gain + round) / gp->gain_step; |
| if (lg >= (1 << gp->nbits) || rg >= (1 << gp->nbits)) |
| return EINVAL; |
| lg = (100 * lg + mask / 2) / mask; |
| rg = (100 * rg + mask / 2) / mask; |
| word = lg | rg << 8; |
| |
| return ioctl(fd, MIXER_WRITE(gp->chan), &word); |
| } |
| |