| Glenn Kasten | 45508f5 | 2015-11-09 15:47:54 -0800 | [diff] [blame^] | 1 | page.title=MIDI Architecture |
| 2 | @jd:body |
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| 19 | |
| 20 | <div id="qv-wrapper"> |
| 21 | <div id="qv"> |
| 22 | <h2>In this document</h2> |
| 23 | <ol id="auto-toc"> |
| 24 | </ol> |
| 25 | </div> |
| 26 | </div> |
| 27 | |
| 28 | <p> |
| 29 | This article describes the generic MIDI architecture, independent of |
| 30 | any platform implementation, API, or platform-specific features. |
| 31 | </p> |
| 32 | |
| 33 | <h2 id="keyConcepts">Key concepts</h2> |
| 34 | |
| 35 | <h3 id="events">Events</h3> |
| 36 | |
| 37 | <p> |
| 38 | The MIDI protocol is designed for event-based communication. |
| 39 | An <a href="https://en.wikipedia.org/wiki/Event_(computing)">event</a> |
| 40 | is an indication that something happened or will happen at a specified |
| 41 | time. MIDI events are represented by <em>messages</em>, atomic |
| 42 | bundles of information. |
| 43 | </p> |
| 44 | |
| 45 | <h3 id="transport">Transport</h3> |
| 46 | |
| 47 | <p> |
| 48 | MIDI messages are encoded and delivered via a |
| 49 | <a href="https://en.wikipedia.org/wiki/Transport_layer">transport layer</a>, |
| 50 | abbreviated <em>transport</em>, which sends the raw MIDI data |
| 51 | to the recipient who then decodes the data into messages. |
| 52 | </p> |
| 53 | |
| 54 | <p> |
| 55 | Hardware-based MIDI transports include: |
| 56 | </p> |
| 57 | <ul> |
| 58 | <li>MIDI 1.0 current loop with |
| 59 | <a href="https://en.wikipedia.org/wiki/DIN_connector">5-pin DIN</a> connector</li> |
| 60 | <li>USB</li> |
| 61 | <li>Bluetooth Low Energy (BLE)</li> |
| 62 | </ul> |
| 63 | |
| 64 | <h3 id="messageRepresentation">Message representation</h3> |
| 65 | |
| 66 | <p> |
| 67 | A MIDI transport specification describes how to convey messages. |
| 68 | Although the packaging of messages is transport-specific at the |
| 69 | lowest level, at a higher level applications can consider a |
| 70 | time-ordered sequence of messages to be a demarcated |
| 71 | <a href="https://en.wikipedia.org/wiki/Bytestream">byte stream</a>. |
| 72 | This is possible because each message contains |
| 73 | enough information to determine the total length of the message, |
| 74 | provided the start of the message boundary is known. |
| 75 | </p> |
| 76 | |
| 77 | <p> |
| 78 | Most MIDI messages are short (one to three bytes), yet there is the |
| 79 | capability for longer messages via <em>SysEx</em>. |
| 80 | </p> |
| 81 | |
| 82 | <h3 id="timestamps">Timestamps</h3> |
| 83 | |
| 84 | <p> |
| 85 | A <a href="https://en.wikipedia.org/wiki/Timestamp">timestamp</a> |
| 86 | is an optional label attached to a message at origination or upon receipt, |
| 87 | depending on the transport. The timestamp is expressed in time units |
| 88 | such as seconds or |
| 89 | <a href="https://en.wikipedia.org/wiki/Jiffy_(time)">ticks</a>. |
| 90 | </p> |
| 91 | |
| 92 | <p> |
| 93 | In the absence of an explicit timestamp, the system must substitute |
| 94 | the timestamp of the immediately preceding message or the current |
| 95 | time. The accuracy of these timestamps, whether explicit or implicit, |
| 96 | is an important aspect of the reliability of a MIDI-based system. |
| 97 | </p> |
| 98 | |
| 99 | <p> |
| 100 | Timestamps are not part of the MIDI 1.0 protocol. They are often added |
| 101 | as part of a platform-specific API. The BLE transport has timestamps |
| 102 | to indicate the timing of the multiple individual messages sent within |
| 103 | one BLE packet. |
| 104 | </p> |
| 105 | |
| 106 | <h3 id="devices">Devices</h3> |
| 107 | |
| 108 | <p> |
| 109 | A <a href="https://en.wikipedia.org/wiki/Peripheral">peripheral</a> |
| 110 | provides input/output (I/O) capability for a computer. The terms |
| 111 | <em>MIDI peripheral</em> and <em>MIDI device</em> commonly |
| 112 | refer to any hardware or software module that supports the MIDI protocol. |
| 113 | Within this document, <em>MIDI peripheral</em> refers to the |
| 114 | physical entity and <em>MIDI device</em> describes the module that |
| 115 | actually implements MIDI. |
| 116 | </p> |
| 117 | |
| 118 | <h3 id="ports">Ports</h3> |
| 119 | |
| 120 | <p> |
| 121 | A <a href="https://en.wikipedia.org/wiki/Computer_port_(hardware)">port</a> |
| 122 | is an interface point between computers and peripherals. |
| 123 | </p> |
| 124 | |
| 125 | <p> |
| 126 | MIDI 1.0 uses a female 5-pin DIN socket as the port. |
| 127 | Each port is either <em>OUT</em> (source of MIDI data), <em>IN</em> (sink for MIDI data), |
| 128 | or <em>THRU</em> (meaning an <em>IN</em> which is directly routed to an <em>OUT</em>). |
| 129 | </p> |
| 130 | |
| 131 | <p> |
| 132 | Other transports such as USB and BLE extend the |
| 133 | <a href="https://en.wikipedia.org/wiki/Computer_port_(software)">port concept</a>. |
| 134 | </p> |
| 135 | |
| 136 | <p> |
| 137 | A MIDI device has at least one <em>OUT</em> port, <em>IN</em> port, or both. |
| 138 | </p> |
| 139 | |
| 140 | <p> |
| 141 | The MIDI device supplies stream(s) of messages originating at each <em>OUT</em> port, |
| 142 | and receives stream(s) of messages arriving at each <em>IN</em> port. |
| 143 | The terms <em>IN</em> and <em>OUT</em> are of course relative to one port; |
| 144 | from the perspective of the other port the reverse term applies. |
| 145 | </p> |
| 146 | |
| 147 | <h3 id="connection">Connection</h3> |
| 148 | |
| 149 | <p> |
| 150 | In the MIDI 1.0 transport, an <em>OUT</em> port connects to at most |
| 151 | one <em>IN</em> or <em>THRU</em> port due to the nature of the current loop. |
| 152 | In USB and BLE transports, the same is true at the lowest layer, though |
| 153 | an implementation may re-condition the message stream so that it can |
| 154 | be broadcast to multiple <em>IN</em> ports. |
| 155 | </p> |
| 156 | |
| 157 | <h3 id="cable">Cables</h3> |
| 158 | |
| 159 | <p> |
| 160 | A MIDI 1.0 <a href="https://en.wikipedia.org/wiki/Cable">cable</a> is the |
| 161 | physical bundle of wires that connects an <em>OUT</em> port to an <em>IN</em> or <em>THRU</em> port. |
| 162 | The cable carries data only. |
| 163 | </p> |
| 164 | |
| 165 | <p class="note"> |
| 166 | <strong>Note:</strong> |
| 167 | There are non-standard modifications to MIDI that supply power over the |
| 168 | two unused pins. This is called <em>phantom power</em>. |
| 169 | </p> |
| 170 | |
| 171 | <p> |
| 172 | A <a href="https://en.wikipedia.org/wiki/USB#Cabling">USB cable</a> |
| 173 | is similar, except there is a wide variety of connector types, |
| 174 | and the <em>IN</em>/<em>OUT</em>/<em>THRU</em> concept is replaced by the host/peripheral role. |
| 175 | </p> |
| 176 | |
| 177 | <p> |
| 178 | When operating in USB host mode, the host device supplies power to the |
| 179 | MIDI peripheral. Most small MIDI peripherals take one USB unit load (100 |
| 180 | mA) or less. However some larger peripherals, or peripherals with audio |
| 181 | output or lights, require more power than the host device can supply. |
| 182 | If you experience problems, try another MIDI peripheral or a powered |
| 183 | USB hub. |
| 184 | </p> |
| 185 | |
| 186 | <h3 id="channel">Channel</h3> |
| 187 | |
| 188 | <p> |
| 189 | Each MIDI message stream in multiplexed among 16 <em>channels</em>. |
| 190 | Most messages are directed at a specific channel, |
| 191 | but there are message types that aren't channel-specific. |
| 192 | Conventionally the channels are numbered one to 16, though |
| 193 | represented by channel values of zero to 15. |
| 194 | </p> |
| 195 | |
| 196 | <p> |
| 197 | If the application needs more than 16 channels or a higher throughput |
| 198 | than one message stream can support, then multiple ports |
| 199 | must be used. |
| 200 | </p> |
| 201 | |
| 202 | <p> |
| 203 | In MIDI 1.0, this is accomplished by multiple cables connecting pairs of ports. |
| 204 | </p> |
| 205 | |
| 206 | <p> |
| 207 | In the MIDI over USB transport, a single USB endpoint can support multiple |
| 208 | ports, each identified by a <em>cable number</em> [sic]. |
| 209 | According to the USB MIDI specification, |
| 210 | the <em>cable number</em> identifies the virtual port within the endpoint. |
| 211 | </p> |
| 212 | |
| 213 | <p class="note"> |
| 214 | <strong>Note:</strong> |
| 215 | <em>port number</em> would have been a more accurate term, |
| 216 | given that it identifies a port. |
| 217 | </p> |
| 218 | |
| 219 | <p> |
| 220 | Thus a single USB physical cable can carry more than one set of 16 channels. |
| 221 | </p> |
| 222 | |
| 223 | <h2 id="platformImplementation">Platform implementation</h2> |
| 224 | |
| 225 | <p> |
| 226 | As noted in the introduction, these generic MIDI concepts apply to all |
| 227 | implementations. For the interpretation of the concepts on the Android |
| 228 | platform, see the |
| 229 | <a href="http://developer.android.com/reference/android/media/midi/package-summary.html"> |
| 230 | Android MIDI User Guide for <code>android.media.midi</code></a>. |
| 231 | </p> |